Raising the Rainbow! On Pride Weekend in Vermont, June 27-28. Please Come!

29 05 2026
photo: publicdomainpictures.net

Kopkind is raising the Rainbow flag, literally and figuratively, this Pride Weekend with two sumptuous public events. Be there!

We start off on Saturday, June 27, with our annual CineSLAM, Vermont’s LGBTQ Short Film Festival, at 4 pm at the Latchis Theatre, 50 Main Street in Brattleboro. This year’s selection of national and international films spans genres, subjects and emotions, a kaleidoscopic expression of lgbtq life and experience. There will be comfortable seating and, at intermission, Pride Cake. For tickets, see filmfreeway/cineslam.com.

The next afternoon, Sunday, June 28, we are revisiting a beloved tradition for a new season with an early summer Raising the Rainbow Late Brunch with the extraordinary writer and thinker Roger Lancaster, at Tree Frog Farm, 158 Kopkind Road in Guilford. There will be a yummy spread beginning at 2 pm, followed by a talk on some themes central to Roger’s most recent book about working-class gay life, The Struggle to Be Gay, in Mexico, for Example: ‘the urgency of desire’, the salience of class and material want in the creation of identity, the universal necessity of ‘vistas of freedom’, connection, a better life. The talk to be followed by discussion and birthday cake!

There is no charge for Sunday’s event (donations will be gratefully accepted). People must make a reservation, though, so that we have a count for food. Please reserve by writing to JoAnn Wypijewski at jwyp2000@gmail.com.

Roger Lancaster, a professor of anthropology and cultural studies at George Mason University, is the author of Life Is Hard and Sex Panic and the Punitive State, among other works. His writing is thrilling for its combination of stories, ethnography, historical and political analysis and polemic. In the conclusion of his latest book, he presents the image of Johann Sebastian Bach’s Two-Part Inventions as a metaphor for the way he puts sexual identity and class in conversation — the Rainbow, one might say, and the rainbow, historic symbol of rebels united against kings and capitalist oppressors:

‘On the one hand, I acknowledge the depth and specificity — the authenticity — of gay life, of what people aspire to or refuse when they approach the question of identity, of how gay men desire and love and connect or are frustrated. How could I not? This, the struggle to be gay, is a big part of my life, too, after all. On the other hand, I try to show how the very real dilemmas and partial resolutions — the storylines — of gay life could unfold only at this specific moment, under the social and political-economic conditions, in conversation with the long arcs of other happenings and narratives. Among those immediate material conditions are the speeding-up of capitalism and the intensification of brute exploitation. This, the contemporary class condition of society, furnishes our collective imaginations and sets the horizons of the imaginable.

‘Bach, a master of contrapuntal music, was no stranger to the so-called deceptive cadence, a musical progression in which the dominant chord does not resolve to the tonic chord to give a sense of closure but instead seems to leave things up in the air, suggesting that this is not quite the end of the piece (and sometimes opening the way to lengthy digressions). Many of this book’s chapters come to this sort of open-ended ending … [Here, I] will not close off a set of arguments about the unfinishedness of struggles with a pat ending, a tidy pronouncement on where the human condition is headed, or even a clear delineation of a line of march. The dialectic is not yet played out; we can only mark some of its valences and take stock of our understanding of it. Class struggles surge and retreat; social movements rise, stall, and fall. We can only hazard a few guesses about what forms any of this might take on the near horizon. We are headed for another world, one way or another, but whether the future world will be better or worse than the present one is unclear.

‘It is said that Bach contemplated the human condition, up close and empathically, with “benevolent understanding.” I hope that something similar might be said of the work of this sentimental gay socialist.’





Hear, Hear for May Day! and Hear, Hear Peter Linebaugh, April 30, in NYC!

28 04 2026
The words of May Day & The Commons in black over green and red historical images

As the broadside for Peter’s address explains:

Our May Day began in America. From the May pole dance with indigenous folk at Merry Mount, Massachusetts, in 1627, to Chicago’s police riots in 1886 at Haymarket Square against advocates of the 8-hour day, May Day has given us both green and red themes to celebrate.

Suppose we paused to think of each of these stories as history’s seeds that have yet to reach their maturity? Conquest and settlement were accomplished with means of mechanization. On May Day, whether as a story of Puritanical expropriation from earthly subsistence or as a story of gilded age exploitation of immigrant wage-slaves, we may easily find contemporary themes related to the extractions and extinctions of our own time. May Day celebrates the green and red struggle of workers across the planet who cry for health and wealth, common wealth.

Peter was born in Washington, DC, in 1942, the year the Nazis launched the V-2 rocket. He became an anti-fascist, growing up in London, Cattaraugus, Muskogee, Karachi and New York. He became a historian under the eloquent peacenik and labor historian, E.P. Thompson. His books include The London Hanged, Magna Carta Manifesto, Stop, Thief!, The Many-Headed Hydra, Red Round Globe Hot Burning and The Incomplete, True, Authentic, and Wonderful History of May Day. He has been a mentor and a special guest at Kopkind. There is no speaker remotely like him. If you’re in New York, be there.

And wherever you are, all out for May Day!





Remember Earth Day?

15 04 2026

After Black History Month and Women’s History Month, April has been dubbed the time to honor the Earth, which makes life and history possible. Amidst a cluster of man-made horrors — foremost among them Israel’s genocide against the Palestinians, bombardment of Lebanon and senior partnership with the US in the war against Iran — it is easy to forget how killing converges with catastrophe for the natural world. The other day Laura Flanders, a former Kopkind mentor, special guest and continuing adviser and friend, wrote in CounterPunch about that convergence in the waters around Iran. We republish it here with thanks to our friends at counterpunch.org, where you can find a feast of fine writing and analysis every day.

photo: A Dugong near Marsa Alam in Egypt. Photo by Camille MĂŠnard, CC BY-SA 3.0 via Wikimedia Commons.

Laura Flanders

‘A whole civilization will die tonight, never to be brought back again.’

As our power-mad president tapped out that genocidal threat, a whale shark in the Persian Gulf was navigating waters it has known for millennia. It is the largest fish alive â€” the size of a school bus, spotted like a galaxy, moving with a gentleness that is hard to reconcile with its scale. If divers come too close, it curves its huge body to avoid them. Its wide-grin mouth is fangless. It feeds on plankton, with no capacity for threat, and yet its lineage survived the dinosaurs.

It may not survive us.

The ceasefire announced between the United States and Iran is scheduled to last two weeks — the duration of a single pay period, or the bloom of a rose. The timeline of the creatures that swim the Gulf waters is measured in millennia. Sixty million years in the case of the endangered whale shark. Fifty million in the case of the dugong.

I’d never heard of a whale shark or a dugong until I looked up the Gulf’s most precious species. Like large, bristled manatees, the dugongs have more in common with elephants than any whale. The Persian Gulf holds the world’s second-largest population of them. In the fragile waters now crammed with oil tankers brimming with billions of liters of oil and war waste from forty days of destruction, the dugongs graze on seagrass in the shallows. Indeed, biologists report that they eat in such deliberate, complex patterns that they prevent monocultures from forming and maintain nursery habitat for dozens of other species.

The mother dugong nurses her young not for two weeks — but for two years. She is almost certainly the origin of the mermaid myth. Sailors glimpsed a large, warm-bodied creature nursing its young at the surface, and carried that image home through every maritime culture on Earth.

Robin Wall Kimmerer, who appeared on Laura Flanders & Friends earlier this year, might call what the dugong does reciprocity â€” the kind of tending that extractive capitalists have spent centuries refusing to see or value. In her book Braiding Sweetgrass, and in our conversation, she teaches us that the natural world is in constant reciprocal exchange. Care is not a human invention. The dugong and the seagrass meadow have been in that exchange for longer than our species has had language to describe it.

Civilizations come in many forms. A city, like a reputation, can be rebuilt; a warmonger, defeated or unseated (please!) But a species — a multimillion-year evolutionary experi-ment, a creature that has been tending its ocean since before our genus existed — cannot be negotiated back into existence. Thinking about all that we do not know about the whale shark and the dugong, I remember my conversation with Alexis Pauline Gumbs about her book Undrowned: Black Feminist Lessons from Marine Mammals. In that conversation (which podcast subscribers receive in full) Gumbs asks us to look at marine mammals not as curiosities but as teachers: beings whose ways of breathing, moving, and tending their young carry a wisdom we have barely begun to hear. She writes:

I don’t know what that will look like, but I do know that our marine mammal kindred are amazing at not drowning. So I call on them as teachers, mentors, guides, and I call on you as breathing kindred souls, may we evolve.

Dugongs communicate in chirps, whistles, and trills that scientists don’t fully understand. Biologists are bewildered by whale shark reproduction. No whale shark has ever been observed giving birth in the wild. They are, in a real sense, still mysterious to us. Extinction would end that mystery permanently.

Now, at least four oil spills have been confirmed in the Gulf since hostilities began. Our necrophile president bragged about torpedoing the Iranian frigate Dena early in the war. The Dena sank close to the coast of Sri Lanka, sending a twenty kilometer oil slick toward that ecologically important coastline. That same hotheaded killer and his Beirut-bombing pal launched multiple missile strikes at Iran’s Bushehr nuclear plant, where a direct hit could have released radioactivity across the entire region.

A related dance with death is playing out in “our” Gulf, too. The Persian Gulf is a body of water that is semi-enclosed, shallow, with almost no natural flushing mechanism — meaning that what goes in, stays. The loony logic that concentrated the world’s fossil fuel infrastructure in those ecologically fragile waters is being replicated along coastal Louisiana, where liquefied natural gas, or LNG, export terminals are being built into wetlands already vulnerable to storm surge.

We reported on those risks last summer when we looked at LNG expansion on the same coast that, twenty years ago, was ravaged by Hurricane Katrina. By disrupting Gulf-based LNG supplies, the US/Israeli escapade is accelerating madcap LNG production on US shores.

There’s no truce – however shaky – in our war on nature or the rising tides.

A whale shark can live for 100 to 150 years. Their species has been around for 60,000 millennia. The dugong tends her meadow (and her young) and communicates in a language we haven’t learned yet. The ceasefire is two weeks long. The least we can do — the very least — is notice what is at stake in those waters beyond the oil price.

Laura Flanders interviews forward-thinking people about the key questions of our time on Laura Flanders & Friends, a nationally syndicated radio and television program also available as a podcast. A contributing writer to The Nation, Flanders is the author of several books, as well as a column on Substack. For all of Earth Month her podcast and radio broadcasts is airing their best Earth-related episodes.





Jesse, Through Andy’s Eyes

17 02 2026

A most remarkable human being and political figure, Jesse Jackson died today in Chicago, February 17, 2026. His trademark call and response “I Am Somebody”, above from his appearance on Sesame Street in the 1970s, represents, in its simplicity, the timeless radical rejection of dehumanization — salient feature of slavery, dispossession, genocide, capitalism, and the unabashed program of the regnant politics of our time. If a life could be reduced to one sentence, Jesse spent his fighting systems that dehumanize, and advancing a vision of a society based on respect, equality, internationalism: on human values and an enthusiasm, a love, for life, which he embodied. Andrew Kopkind covered Jackson’s historic campaigns for the Democratic presidential nomination in 1984 and 1988, reporting from the trail for The Nation in ’88. A few selections from Andy’s writing then give not only a feeling for what Jackson described in ’84 as “a campaign through the eyes of the hurt” but also a view of the landscape of hurting. The latter provides hints to how we got where we are; the former exemplifies a politics of solidarity, the only hope for humanity.

The political demands of the Rainbow Coalition, implicit in its construction and explicit in Jackson’s speeches, are extraordinary. They are racial, sexual, economic and ideological. “All of us are deprived in twentieth-century America,” he told an audience at the Waldorf Astoria, “and America is still organized by cash — the cash system that is still dominated by white males.” What other major-party candidate in this century has talked about deprivation in “a cash system dominated by white males”? No wonder Jackson scares conventional politicians half to death.

Excerpt from 1984 speech in Philadelphia

Jesse Jackson, a year older than Joe Biden [then also running for the nomination], had come to the same hotel ballroom four days earlier, but the scene couldn’t have been more different. Jackson spoke to a local convention of the American Federation of State County Municipal Employees and gave a detailed populist sermon meant to rouse the coalition of “the displaced and the dispossessed” that has no other obvious haven in the party. Biden had talked about ‘excellence’ and warned that “foreign workers are better educated and work harder” than Americans. Jackson said, “Foreign workers are not better than American workers; they are cheaper workers.”

Jackson’s was not a speech about the new social compact between business and labor that other Democratic candidates are promoting; it was a demand for ‘economic justice.’ US corporations, he said, are fleeing these shores and setting up ‘slave labor’ shops in the Third World, from which they export cheap goods back to America in a flood that destroys jobs, lives, communities. As he does in nearly every talk, Jackson exhorted the unionists to make ‘common ground’ with others similarly situated; to forget racial divisions; to accept women, minorities, immigrants and the unemployed as comrades in arms; and to change the distribution of power to their own advantage. “The fight is not at a pizza parlor in New York, not on a lonely road in Georgia,” he said in one of several preliminary crescendos before the final, familiar rhetorical arpeggio that has become the hallmark of his style. “The fight is at the shipyard, where they bring in goods made by slave labor. We should turn to each other, not on each other.”

On his first trip to Des Moines in the spring, Michael Dukakis [the Democrats’ ultimate nominee] recommended that the feed-corn and bean growers, virtually the entire agricultural sector, start raising Belgian endive and blueberries, like the trendy truck farmers beyond the Boston suburbs. The idea didn’t go over in a big way. Jackson has different ideas about what’s happening to Iowa farming. The threatened demise of the family farm system cannot be averted by managerial maneuvers or market gimmicks. What is required is a wholesale assault on the political economy of American agriculture. The Reagan Administration has accelerated a process that began decades ago, in which the family farm is being replaced by ‘megafarms’ increasingly owned by absentee management firms and agribusiness corporations. Some companies are building vertical monopolies in the industry, with land as the bottom layer of a structure that will include feedlots for cattle. meatpacking houses, machinery manufacturing plants, grain exporting companies, supermarkets and shopping malls — all in a transnational system.

Like Stalinism in the Soviet Union in the 1930s, Reaganism in America in 1980s seeks to rationalize agriculture to make it responsive to centralized planning and presumed economies of scale. Here the centralization is corporate rather than collective, but many of the methods of forced removal of farmers and the consequences to traditional communities are remarkably similar to those used in the Soviet Union. No kulaks have been shot in Iowa, but tens of thousands of families have been driven from their homes, many after three, four or five generations on the land, and sent to distant towns where they shovel chicken manure in poultry ‘factories’ or fast food in roadside stands. They migrated to the losing end of the agricultural chain they once helped forge. Unless radical reforms are instituted — a most unlikely prospect, to be sure — half the farms in Iowa will go under in the next ten years.

Seventy miles north of Adair County, in the little town of Churdan, the remaining farm families are watching their community dissolve and their lives changed for the worse with no recourse to the established political means of reform. Johnny McGuire (he’d rather I didn’t use his real name) took over the family farm when his father retired, and he works several more rented pieces of land for a total of some 1,200 acres — a large spread by local standards, but he sees himself as one of a dying breed.

“I’ll be 29 in September,” he said, “but there’s probably not more than a dozen that’s younger than me in the whole area.” A quiet, rather reserved man, he swung his arms to indicate the extended region to which he referred. “A lot of the farmers, they’re 45 years old and up, so they’ll be retired in fifteen, twenty years, and that’ll be the end of it. Most of my friends in my class at Iowa State went into jobs where they got $20,000 or more to start, and they didn’t want to come back to the land. Oh, this ground will always be farmed one way or the other, but not by the people who live here. As for me, I’m going to stay a farmer for the rest of my life.”

What Jackson calls a “a new feudalism” is settling over the rural heartland. Farmers default on their loans; banks and insurance companies (and sometimes government agencies) foreclose; sometimes they burn and bulldoze the lovely old white farmhouses, the barns, the silos and the stands of trees that protected the homestead from the prairie winds. Scorching the earth lowers the property taxes. Families who simply cannot tear themselves from their birthplaces are sometimes allowed to stay on the land by the new management companies or megafarmers in return for work done. Those new tenants represent the saddest sector of a shift in productive relations that will amount to billions or perhaps trillions of dollars by the end of the century….

On the trail in Iowa, Jackson excites voters more by promising them participation in the power structure — the organizing principle of the old civil rights movement — than by offering them specific programs and policies to cure their complaints. Unlike most other Democrats campaigning in the state, he does not hurl a string of neoliberal proposals from the hustings. His delivery is at once personal and political rather than procedural and managerial…. In a hot town square in Iowa Falls, a crowd of recently laid-off workers cheered when he said, “We must change the equation. There’s no sense of corporate justice, of fairness. we’d better wake up and fight” to stop the “merger maniacs.” The town was reeling from the decision of Farmland Foods to close its pork packing plant and idle one-quarter of the local industrial workforce…. Fred Gandy — the local congressman, who previously won celebrity in the role of Gopher on Love Boat — was promoting his efforts to get a small retraining grant for the displaced workers, but surely was not concerned about ‘corporate justice’. Jackson was there to say that only a radical political realignment could achieve some semblance of equity in the economic equation. “We have the money to bail out the American farmer”, he said “but we don’t have the priority to do it.”

… Farmers who have never seen a black person in their town, let alone in their kitchen, told me they’d vote for Jackson because, as one of them put it, “he’s meeting the issues” … Jackson “understands the farmer, the blue-collar man, the working man.”

Excerpt from speech to the 1988 Democratic National Convention

In 1950, when she was 19, Bertha Gillespie left the hot, rich farmland of Columbus, Mississippi, and rode the train a thousand miles north to Detroit to find good work and raise her family. She had high hopes. Right away she got a job as a housekeeper in the new Howard Johnson’s motel, the perfect orange-and-aqua symbol for the triumph of the auto-industrial age and the mass car culture it spawned. She already had two children, and they moved into the sprawling Brewster housing project. Her new neighbors were black migrants from all over the rural South who had come to work in the factories — and make the beds — of the corporate families that had fashioned Detroit into a great war machine and the foundation of the consumer civilization.

“Oh, things were nice then”, Gillespie told me as we walked around Brewster-Douglas, as the project is now known, just behind Jesse Jackson and a platoon of Secret Service men on the afternoon of the Michigan Democratic caucuses. Gillespie, her daughter and several friends had joined hundreds of residents in an impromptu march to get out the vote and drum up enthusiasm for a campaign that was already at fever pitch in the projects.

“It was a real nice place to live in most times”, Gillespie recalled. “The buildings were so new, they wouldn’t let us barbecue outside ’cause they said we’d smoke up the bricks.” The place was full of possibilities. Joe Lewis, the Brown Bomber of Detroit, was a Brewster boy. “See over there, that’s where Diana Ross grew up. I used to see her all the time … and on the second floor of that high-rise there, that’s where Mary Wilson lived. And behind, the other Supreme, the one who died, she lived there.” They don’t remember Flo so well.

“Things started to go down after that”. Gillespie recounted. “We lacked police protection. There was a lot of drugs and guns, and the police would come and circle the block, they’d pull over somebody and take their money and drugs and keep on going. They still do it, but they don’t come around that much anymore.”

Detroit went up in flames in the riots of 1967, and there are still broad fields of dirt and rubble where nothing has been rebuilt. The bricks of Brewster grew grimy and the paint peeled, but it wasn’t from the smoke of barbecues. The entry to Diana Ross’s apartment and hundreds of others are boarded up with plywood; the windows of Mary Wilson’s high-rise are broken and the stairwells are littered and foul. They closed Bertha Gillespie’s apartment block and moved her out of the project, but she still works as a housekeeper in one of the buildings, where old people live. Her seven kids are grown; the ‘baby’, she says, is coming out of school this year. She’s thinking about going back to Mississippi. “Things down there ain’t so bad anymore”, she thought…

It is impossible to understand Jesse Jackson’s extraordinary political achievement in Michigan without some sense of the social transformations that have produced the conditions his campaign addresses. When Jackson talks about the dispossessed and the disenfranchised he does not refer only to the poor or the voteless but to people who are radically removed from the nourishing institutions and the enlivening spirit of American society. In Michigan especially that includes whites as well as blacks, and people who are just getting by in the economy as well as those who are suffering on welfare. Hundreds of thousands of white workers have lost their jobs, and the ones who are still working live with a permanent sense of insecurity. A pall of pessimism has settled over the scene.

“We work everyday”, Jackson reminds crowds of the underemployed, who invariably respond with knowing assents. “We are still poor. We pick up your garbage; we work everyday. We drive your cars, we take care of your children, we empty your bedpans, we sweep your apartments; we work everyday. We cook your food, and we don’t have time to cook our own. We change your hospital beds and wipe your fevered brow, and we can’t afford to lie in that bed when we get sick. We work everyday.” By the end of the speech the nods of approval are mixed with tears.

The precipitous decline of ‘the industry’ has ravaged souls as well as cities. It has exacerbated racial and class differences and has called into question all the old strategies for economic development on social Improvement…. Jim Settles, an official of UAW Local 600 in Dearborn, explained that Jackson’s ‘message’ was getting through to workers of all stripes in his union, but it was not merely the promise of paychecks or food stamps. “Jackson does something no one else has done”, Settles said. “He gives people hope.” Richard Gephardt, who was favored for a time by the union’s top brass, scored some emotional points with his Hyundai-bashing, but Jackson won by locating villainy in the system rather than in Asia. Dukakis halfheartedly appealed to white workers on the basis of their ethnicity and certain cultural icons. He endlessly repeated sentimental stories of his parents arrival at Ellis Island, and in the Polish enclave of Hamtramck he told a small and dispirited audience that his wife Kitty, “the love of my life”, is supposed to “look just like Jackie Kennedy”. At which point his sponsors presented him with a sign board with his name spelled out in kielbasa. Not too many of those folks came out to vote for him the next day.

Jackson has known all along that a populist campaign runs on hope and the prospect of power. His jingly chant “I Am Somebody” (heard more frequently four years ago than today) turns out to be the essential statement of the populist ideology. He is more sophisticated now but no less consistent. In Michigan he could be recognized as a great communicator of hope to the victims of transformations that he himself has lived through and triumphed over. The Brewster kids have a new model for success. What Flo don’t know (in The Supremes’ phrase) is that a new level of political possibility has come out of the projects, out of the shuttered factories along the Rouge, out of the dead city and the besieged suburbs. It’s a powerful tide that Jackson is riding now, and it energizes constituencies in ever-widening rings.

Excerpt from After Stonewall, clip of speech to The Great March, second National March on Washington for Lesbian and Gay Rights, October 11, 1987.

Perhaps there were a few moments — between the Michigan caucuses and the Wisconsin primary — when Jackson and his supporters indulged their fondest fantasy of winning the nomination, but they always knew that the dream was impossible. At best, the campaign could organize a force mighty enough to demand a share of power in the general election campaign, in the Democratic Party and in a Democratic Administration. And that best would be very good indeed.

But no matter how successful Jackson is in getting a share of power for himself or his campaign this year, he has demonstrated that an expanded electorate and a coalition of the disempowered is the only likely route for progressive politics in the foreseeable future. Democrats who will not or cannot expand the party to include that half of the population that does not now participate (and that would in great measure support progressive programs), and candidates who offer no plan for the reorganization of power at the base, will be stuck in the center and dependent o the interests of the corporate class that dominates politics. They are obliged to cater to the most regressive ‘swing’ constituencies in the electorate, as Dukakis has been told he must. They make unseemly compromises with racism (however humane the rhetoric) in order to placate the swing voters, who — surprise! — turn out to be white and conservative. Such candidates may win, but they cannot make change. In boom times and in periods of low-intensity social conflict they may deliver modest benefits to the needy and civilized management for the middle class. But they cannot, and will not, attempt the kind of perestroika that progressives glimpsed this year for the first time in almost a half-century of trial and failure.

The search for ‘new ideas’ that occupied Democrats during the 1984 primary season turned up nothing but recycled or repackaged old ideas. This year there are enough new ideas around to choke a horse. There is the idea of conversion from a military to a civilian economy, of realigning US foreign policy with the forces of independence in the Third World, of public control of corporate behavior in the social sphere, of universal health care, of redistribution of wealth and power, of democratizing the processes of politics, of empowering the powerless….

Now the choice is to wither away or fight for the future.





Movie Night, 8/3, with Potluck at 5:30 pm

30 07 2025
still image: Raised by Wolves

‘A generation is telling us their world is dystopian’, Dana Coester says at one point in her new documentary, Raised by Wolves. They do it through their memes and online pre-occupations, their jokes about mass shootings and sometimes their political choices. Her film explores the ways in which the world of so many rural youth – particularly boys and young men – make them susceptible to digital mis/disinformation and domestic violent extremism. ‘We have to recognize this as the battle for a generation that it is’, she says.

Kopkind’s second public Movie Night of the season, on Sunday, August 3, will commence with a potluck cookout at 5:30 pm on the lawn at Tree Frog Farm, 158 Kopkind Road in Guilford. Bring a covered dish! After the meal, we will have the screening in the Organ Barn. Dana will be on hand for discussion.

Set in Appalachia, where Dana grew up and now works as a journalist, a community mediamaker and professor of media arts, Raised by Wolves is part personal narrative, part investigation into far-right extremism in social media and online gaming spaces, part meditation on rural shame – all against the backdrop of an opioid-traumatized, postindustrial landscape of longstanding exploitation and poverty.

Documenting the vulnerability of youth and the escalation of violence in America as it unfolds in real time, and close to home, Coester has observed, “Shame is an essential ingredient for manipulation. In our region, young people know where they sit in relation to power structures in the rest of the world, but shame is not something they bring to that. Shame is a shadow that the media and the rest of the world casts on them.” Power, or the illusion of it, is what the right and its glorification of violence dangle. Abandonment provides a fertile environment.

We chose to show this film not only because we have the good fortune to have Dana with us for the week as a mentor, along with Phoenix-based playwright and political/cultural journalist James Garcia, but also because the violence system, which is increasingly the chief function of the state, is a many-headed hydra. How systemic violence works as both an exploiter of and enticement for poor rural youth is something the left doesn’t talk about enough. So let’s talk about it, because, however else it might be defined, fascism is a politics of death and desire both.

This event kicks off Kopkind’s seminar/retreat session bringing together young jour-nalists and activists from around the country with veterans in the field. The theme this year is One Struggle, One Fight, toward a popular front for our time.

Hope to see you!





Movie Night, 7/26, 7 pm, Organ Barn

14 07 2025
photo: still from La Liga

The word has been purloined – think, ‘law enforcement community’ – but community, accurately considered, is not just any collection of interests, however inhumane; it is what plain people create to survive and thrive, what they’ve always created, what is crucial today, especially among those who are under threat.

On Saturday, July 26, beginning at 7 pm, Kopkind will hold a free public event, screening two short films documenting different, wondrous community efforts 50 years apart in historical time but similarly resonant of the human instinct toward both mutual aid and making something beautiful in concert.

The image above, from Mac Christopher’s new film, La Liga, contains worlds of hurt, effort and creative life behind its pastoral setting. A story of immigrant dairy workers in rural Vermont, the short film explores the often-overlooked experience of undocumented workers in New England as it reveals people forging bonds of mutuality through soccer, ‘the beautiful game’. La Liga follows the workers who keep the dairy industry alive in Vermont while simultaneously being the population that is most heavily persecuted and harassed. It is a story of community and hope where even the act of playing a sport becomes a high-risk necessity.

photo: still from The Stuff of Dreams

The night’s screening will start off with a brief remastered section of The Stuff of Dreams, a 1977 film by John Carroll, Alan and Susan Dater and John Scagliotti on the relationship between hippie communards and the larger Brattleboro-area community, told through The Monteverdi Players’ magical staging of The Tempest on Sweet Pond in Guilford, pictured above. Shot on 16mm film, The Stuff of Dreams has been digitized and is in the process of being remastered, in which the original print is scanned at a higher resolution, with blemishes removed and frame-by-frame color correction. It is a long process, just begun, and what we will show Saturday night is only a bit — a kind of sneak peak — of what the entire, beloved film will look like when fully remastered.

Remastering The Stuff of Dreams is part of the larger community effort to preserve Guilford history. La Liga is similarly a document of a time in Vermont history — our time, now, as the call to the appreciation of humanity and solidarity is as great as it has ever been.

Saturday’s event will begin with a welcome of wine and cheese outdoors at Tree Frog Farm, 158 Kopkind Road in Guilford. The screening will then proceed in the Organ Barn. John Scagliotti and Mac Christopher will be on hand for Q&A and Kopkind’s traditional spirited discussion. Dessert to follow.

This event will conclude the Kopkind/Center for Independent Documentary film seminar/retreat, which brings together filmmakers for a week to workshop their projects in progress. Since 1999 Kopkind has put on public events and brought together journalists, activists and documentary filmmakers for seminar/retreats in Guilford, where Andy Kopkind spent 25 summers with his life partner, John Scagliotti, a pioneer in gay media and the project’s administrator. Kopkind follows in Andy’s spirit of thinking deeply, analyzing astutely, living expressively, and extending the field for freedom, pleasure and imagination. 





Iranian Films & More at CineSlam, June 28

24 06 2025
Still image from Sonata of Good Women, a film from Iran

As the US regime ponders whether Iranians deserve to live — along with Palestinians, trans people, prisoners and immigrants from all over the world (but mainly brown and black people) who’ve made a home in this country — the art of film puts humanity center stage. This year, CineSlam’s selection of shorts includes a trio of films from Iran. Beautifully made, often haunting, open-ended, these films are meetings with another human figure, taking us into the life of Iran and its people, their intimacies and conflicts, their courage, their every-dayness and vulnerability.

We did not plan on war when making this year’s selections, but here we are, at a time when seeing common humanity across borders and barriers has taken on the greatest urgency. CineSlam’s lgbtq shorts film festival, this coming Saturday, June 28, at 4 pm, is all about visibility. Whether the subject is a courtroom drama in Tehran or a romance on the road in the American southwest, drag balls in 1920s Harlem or the heartsick-angry-ecstatic poetry of Allen Ginsberg on California’s Lost Coast, lesbian love against the odds or documentary photography as a record of life quiet and out loud, this year’s line-up is provocative, moving, charming, not to be missed.

Also not to be missed: Celebrating James Baldwin 💯: ‘Go the Way Your Blood Beats’, a talk by Richard Goldstein, eminent journalist and Baldwin interviewer. Sunday, June 29, 4 pm, at 118 Elliot, which is co-sponsoring this free public event. Donations welcomed.





Celebrating James Baldwin 💯: June 29

21 06 2025

“Go the Way Your Blood Beats,” Baldwin famously told Goldstein, an admonition to live one’s life authentically. As a black man, a gay man, a person who grew up in Harlem before WWII and left the country for Europe—spending the rest of his life in transit—Baldwin resisted what he called “all of the American categories” and, in his novels, essays and speeches, uniquely challenged America to look at itself, to liberate itself from the violence that still consumes it and defines its power in the world. Baldwin’s homosexuality, evident in his works’ frankness about sex, desire, fear and the many, intertwined obstacles to love and human freedom, is often un- or under-discussed. Our event honors the man, his dazzling originality and rebellious vision in full.

Richard Goldstein was executive editor of The Village Voice, for which he wrote on popular culture and sexual politics for 32 years. Among the umpteen interviews Baldwin gave in his life, Goldstein’s is perhaps the only one that dealt directly with homosexuality, the queer liberation movement and their relationship to Baldwin’s life and work. An award-winning commentator on lgbtq issues, a founder of rock criticism and early champion of graffiti culture, Goldstein is the author of, among other works, The Poetry of Rock; Homocons: Liberal Society and the Gay Right; and Another Little Piece of My Heart: My Life of Rock and Revolution in the `60s. He lives in New York City and Vermont.

This celebration of James Baldwin will be Kopkind’s second Pride Month event. It is part of the prolonged centenary commemoration of the revolutionary author and public figure, who was born in August 1924. On the preceding day, Saturday, July 28, Kopkind presents its annual lgbtq short film fest, Cineslam, at the Latchis Theatre at 4 pm. A reception and Pride Cake to follow. For tickets to Cineslam: https://www.cineslam.com/





Pride Begins With Rebellion

19 06 2025

If you are in the vicinity of Brattleboro, Vermont, join us for two marvelous, must-see events, capping Pride Month, honoring the spirit of liberation and rebellion, and launching Kopkind’s summer season!

CineSlam’s line-up this year includes foreign and domestic films, comedy and drama, feature, animation and experimental documentary – including a rare art film made by Allen Ginsberg and Bruce Conner, recovered in Allen Ginsberg’s Lost Work. Shot on California’s ‘Lost Coast’, the 1970 film sets Ginsberg’s poetic recitation to a montage of Conner’s visual artistry: an extraordinary expression of love, lust, heartbreak and dissent; of “memories and flickering images and nasty truths”.

CineSlam’s entire program is always a filmic cornucopia. For tickets, see https://www.cineslam.com/. There will be Pride Cake to follow!

This second Pride Month event salutes the life and legacy of America’s greatest writer, James Baldwin, with a talk by Richard Goldstein, who in a long and passionate career interviewed Baldwin over the course of a few days in New York in 1984. This event is part of the prolonged centenary commemoration of the revolutionary author and public figure. It is a free public event. (Donations welcomed.)

“Go the Way Your Blood Beats,” Baldwin famously told Goldstein, an admonition to live one’s life authentically. As a black man, a gay man, a person who grew up in Harlem before WWII and left the country for Europe—spending the rest of his life in transit—Baldwin resisted what he called “all of the American categories” and, in his novels, essays and speeches, uniquely challenged America to look at itself, to liberate itself from the violence that still consumes it and defines its power in the world. Baldwin’s homosexuality, evident in his works’ frankness about sex, desire, fear and the many, intertwined obstacles to love and human freedom, is often un- or under-discussed. Our event honors the man, his dazzling originality and rebellious vision in full.

Richard Goldstein was executive editor of The Village Voice, for which he wrote on popular culture and sexual politics for 32 years. Among the umpteen interviews Baldwin gave in his life, Goldstein’s is perhaps the only one that dealt directly with homosexuality, the gay liberation movement and their relationship to Baldwin’s life and work. An award-winning commentator on lgbtq issues, a founder of rock criticism and early champion of graffiti culture, Goldstein is the author of, among other works, The Poetry of Rock; Homocons: Liberal Society and the Gay Right; and Another Little Piece of My Heart: My Life of Rock and Revolution in the `60s. He lives in New York City and Vermont.

We do so hope to see you!





The Adamant Memory of Vietnam

10 05 2025
Screenshot from Different Sons: Vietnam veterans chant “Peace Now!” en masse in Valley Forge, 1970.

On April 30 the people of Vietnam celebrated fifty years of independence from foreign domination. Reunification Day, they call it — also known as victory in the American War, as it is known in Vietnam, and defeat for the US in what we call the Vietnam War. These days in May the Pentagon is honoring Vietnam veterans, everyone who served between November 1, 1955, and May 15, 1975. Those commemorations edit out the soldiers who played a critical role in the antiwar movement. The soldiers who published underground antiwar papers on hundreds of bases, who manned GI coffeehouses, who engaged in direct action in the US and in Vietnam, who became mutineers, who founded Vietnam Veterans Against the War, and whose protests are powerfully documented in David Zeiger’s film Sir! No Sir! (which Kopkind screened publicly before its general release in 2005).

We remember those men and women here, whose valiant refusal is captured in one three-and-a-half-day action documented in Jack Ofield and Bowling Green Films’ 1971 short Different Sons. It is a moving document, available to the public from the Internet Archive and here by clicking the image above. Seventy-five combat veterans began a ninety-mile march from Morristown, New Jersey, on September 4, 1970. En route to Valley Forge, Pennsylvania, they took secondary roads, walking single file, wearing fatigues and carrying plastic M-16s, stopping for the night on Quaker-owned property, eating C rations or the equivalent. Along the way, they simulated their jobs in Vietnam, brutalizing or killing civilians. They didn’t expect to win converts, one of their leaders told the filmmakers; they hoped to provoke their fellow citizens to think differently, or begin to. The soldiers’ civilian-volunteers could never register the terror of the real thing, but outside post offices in tiny towns not known for antiwar sentiment, the re-enactments must have been shocking. Some bystanders mocked the vets for their long hair and moustaches; one stated they were working on orders from Satan. In the end, the vets, their number steadily enlarged and forming wide rows across the Valley Forge battlefield, chanted, “Peace Now!” ever louder, and broke their plastic rifles over their knees. This was a unique public demonstration, but opposition to the war was not a fringe opinion among troops. By 1971, one colonel remarked, it had “infested the entire armed services”.

The adamant memory of Vietnam goes a way to illuminating this country’s current crises. The story of the war and the Sixties culture of opposition that it stoked have been in the gunsights of the right from that time to today, as witness the machinations of the current regime’s braintrust and hangers on. Within a few years of the defeat in Vietnam, war fantasies were revived in Washington, and with them cold war liberalism as well as an emboldened right. Within a decade, an academic/political project to rewrite the history of the war in line with the views of those mocking bystanders — and, more important, the arms makers, war profiteers and their political satraps — had been established. The backlash that powered Ronald Reagan’s Make America Great had many helpers, including the corporate press and some precincts of the notionally left, reflected in a 1982 New York Times Magazine essay by Irving Howe titled “The Decade That Failed”. The right never forgot, and its project to extirpate every last gain of the Sixties era is the openly stated aim of ‘anti-woke’ crusader Christopher Rufo and his ilk today. Thus, among much else, the erasure of the soldiers’ revolt in marking the end of the Vietnam War.

Fifty years ago Andy Kopkind used the title above in an article for Ramparts about the great documentary Hearts and Minds, by our friend Peter Davis. We did a public screening of that film, too, early on in the so-called War on Terror, launched in 2001. A generation of Americans has grown up now with no memory of 9/11 and its aftermath, much less of Vietnam — no memory of the lies used to justify the invasion of Iraq, the first Shock and Awe, the roundup of US citizens said to be terror symps, the US torture regime and Guantanamo, now used to imprison kidnapped immigrants. No memory of Iraq Veterans Against the War, or the soldiers destroyed by their destruction of other people. Or Reagan’s proxy wars in between; or Obama’s Tuesday meetings to pick assassination targets after. No broad context in which to place the current US terror bombing upon the people of Yemen, or the long complicity with Israel to crush the Palestinians.

“Now, you don’t want to hear about it”, Andy quotes a Vietnam veteran, William Marshall, featured in Hearts and Minds. “I’ll tell you about it every day and make you sit and puke on your dinner, you dig, because you got me over there and now you done brought me back. And you want to forget it so somebody else can go do it somewhere else. Hell no.”

History is a weapon. Andy’s “The Adamant Memory of Vietnam” is reprinted in his collected writing, The Thirty Years’ Wars: Dispatches and Diversions of a Radical Journalist, 1965-1994. His first draft of history, the book provides an indispensable, analytical backstory to our time.