Raising the Rainbow! On Pride Weekend in Vermont, June 27-28. Please Come!

29 05 2026
photo: publicdomainpictures.net

Kopkind is raising the Rainbow flag, literally and figuratively, this Pride Weekend with two sumptuous public events. Be there!

We start off on Saturday, June 27, with our annual CineSLAM, Vermont’s LGBTQ Short Film Festival, at 4 pm at the Latchis Theatre, 50 Main Street in Brattleboro. This year’s selection of national and international films spans genres, subjects and emotions, a kaleidoscopic expression of lgbtq life and experience. There will be comfortable seating and, at intermission, Pride Cake. For tickets, see filmfreeway/cineslam.com.

The next afternoon, Sunday, June 28, we are revisiting a beloved tradition for a new season with an early summer Raising the Rainbow Late Brunch with the extraordinary writer and thinker Roger Lancaster, at Tree Frog Farm, 158 Kopkind Road in Guilford. There will be a yummy spread beginning at 2 pm, followed by a talk on some themes central to Roger’s most recent book about working-class gay life, The Struggle to Be Gay, in Mexico, for Example: ‘the urgency of desire’, the salience of class and material want in the creation of identity, the universal necessity of ‘vistas of freedom’, connection, a better life. The talk to be followed by discussion and birthday cake!

There is no charge for Sunday’s event (donations will be gratefully accepted). People must make a reservation, though, so that we have a count for food. Please reserve by writing to JoAnn Wypijewski at jwyp2000@gmail.com.

Roger Lancaster, a professor of anthropology and cultural studies at George Mason University, is the author of Life Is Hard and Sex Panic and the Punitive State, among other works. His writing is thrilling for its combination of stories, ethnography, historical and political analysis and polemic. In the conclusion of his latest book, he presents the image of Johann Sebastian Bach’s Two-Part Inventions as a metaphor for the way he puts sexual identity and class in conversation — the Rainbow, one might say, and the rainbow, historic symbol of rebels united against kings and capitalist oppressors:

‘On the one hand, I acknowledge the depth and specificity — the authenticity — of gay life, of what people aspire to or refuse when they approach the question of identity, of how gay men desire and love and connect or are frustrated. How could I not? This, the struggle to be gay, is a big part of my life, too, after all. On the other hand, I try to show how the very real dilemmas and partial resolutions — the storylines — of gay life could unfold only at this specific moment, under the social and political-economic conditions, in conversation with the long arcs of other happenings and narratives. Among those immediate material conditions are the speeding-up of capitalism and the intensification of brute exploitation. This, the contemporary class condition of society, furnishes our collective imaginations and sets the horizons of the imaginable.

‘Bach, a master of contrapuntal music, was no stranger to the so-called deceptive cadence, a musical progression in which the dominant chord does not resolve to the tonic chord to give a sense of closure but instead seems to leave things up in the air, suggesting that this is not quite the end of the piece (and sometimes opening the way to lengthy digressions). Many of this book’s chapters come to this sort of open-ended ending … [Here, I] will not close off a set of arguments about the unfinishedness of struggles with a pat ending, a tidy pronouncement on where the human condition is headed, or even a clear delineation of a line of march. The dialectic is not yet played out; we can only mark some of its valences and take stock of our understanding of it. Class struggles surge and retreat; social movements rise, stall, and fall. We can only hazard a few guesses about what forms any of this might take on the near horizon. We are headed for another world, one way or another, but whether the future world will be better or worse than the present one is unclear.

‘It is said that Bach contemplated the human condition, up close and empathically, with “benevolent understanding.” I hope that something similar might be said of the work of this sentimental gay socialist.’





Happy Pride – CineSlam, June 29!

18 06 2024
Credit Stainless Images (@ramone), courtesy Unsplash

Pride month is every month when you live arms open to humanity. June is special, though, as we honor the memory, the audacity and the promise of liberation that the Stonewall Uprising represented, and still represents.

CineSlam, Kopkind’s annual Pride month festival of lgbtq short films, takes place this year on Saturday, June 29, at 4pm at the Latchis Theater, on Main Street in downtown Brattleboro. These short films – some narrative, some documentary, some experimental – draw from the well of queer experience. They are serious and moving, funny and fantastical. They are fabulous and real.

Please join us for films, fizzy drinks, Pride cake and celebration of all that’s been won and the ongoing work for liberation. For tickets, please go to https://filmfreeway.com/CineSLAM/tickets

This is a big year for anniversaries:
• 55 years since gay people said No to police repression and the closet, and Yes to life in full: those messages exploding in the streets of Greenwich Village around the Stonewall Inn in the early morning hours of June 28, 1969.
• 30 years since the death of Andrew Kopkind, who, among much else, wrote the most beautiful summation of the politico-cultural meaning of the riots at the quarter-century mark. (Read on.)
• 25 years since Andy’s family and friends started Kopkind, a living memorial, which since the summer of 1999 has created space for left journalists, activists and documentary filmmakers to come together to exchange ideas and experience, workshop films, and follow in Andy’s spirit of thinking deeply, living expressively and extending the field for freedom, pleasure and imagination. 25 years of putting on not just the seminar/retreat sessions at Tree Frog Farm in Guilford but also a plethora of public events, including CineSlam.

We’ll be telling you more about this year’s project and our July events in a future post. On August 24, what would have been Andy’s 89th birthday, we are celebrating our 25th with an outdoor barbecue, speakers and celebration at Tree Frog Farm. Watch for more on that too!

For now, Andy gets the last word, from an article in The Nation’s issue of July 4, 1994:

“Craig Rodwell, a witness to the war in the streets, said in an interview for the documentary Before Stonewall that what was most magical about the Stonewall riots was that ‘everything came together that night.’ Somewhere in the existential depths of that brawl of screaming transvestites were all the freedom rides, the anti-war marches, the sit-ins, the smoke-is, the be-ins, the consciousness-raising, the bra-burning, the levitation of the Pentagon, the endless meetings and broken hearts. Not only that, but the years of gay men and lesbians locking themselves inside windowless, unnamed bars; writing dangerous, anonymous novels and articles; lying about their identity to their families, their bosses, the military; suffering silently when they were found out; hiding and seeking and winking at each other, or drinking and dying by themselves. And sometimes, not often, braving it out and surviving. It’s absolutely astonishing to think that on one early summer’s night in New York that world ended, and a new one began.”